24 July 2017

Inside Poblacion by Andrei Suleik


Poblacion, also known as the “Red Light District” of Makati City, has been experiencing a shift in dynamics. What was known for purely entertainment and a small neighborhood, is now a burgeoning area of creativity, modern retail and gentrification. However, the real beauty of Poblacion does not just lie in its history nor its current state, its appeal comes from the balanced fusion of both.

These sudden changes have made the area a place to be – from budding entrepreneurs, artists, chefs, and more. Other than the great energy that its current residents elicit, the outsiders are as much important. Poblacion has been a popular destination for everyone, specifically photographers and “Instagrammers” alike. Its mix of aesthetics is an interesting backdrop for a lot of shoots – for either personal or commercial work. This is why photographer, Andrei Suleik chose it for his latest series. “However, most have shot the location from its streets.” he shares. So to separate his work, he took his subject inside the establishments in Poblacion. “I want to show the other side of the place. So, we came up with this concept of shooting inside a bar, rather than putting our focus on the façade of these establishments” Andrei explains.

With the help of fashion designer, Dani Familara (styling), and KAPWA Studios’ Dionne Taylor (make-up) and Leslie Espinosa (hair), Andrei shot Johnny Haiki inside Jool’s Cabaret in a modernized 19th Century fashion. It’s not often that we see this side of Poblacion, and the juxtaposition of the place and the style brought attention to how much we don’t know everything about the area even if it’s already ever-present online and on social media.













19 July 2017

Filipino Culture collides with Global Streetwear in Chad Manzo's "SALTY" Series


Take a page out of Cebu-based art director and graphic designer Chad Manzo about tasteful reinterpretation. His latest series entitled "SALTY" features Filipino icons and incorporates them on a variety of street culture heavy brands.

Words by Raniel Moraleta

There's a very fine line that divides blatant ripoffs and absolutely brilliant reinvention. Chad Manzo's integration of the Filipino image on relevant brands is thought-provoking and urges one to reflect on the influence of street culture locally. His work is something to aspire for, for local artists. Especially those involved in the local streetwear scene. The art of design will slowly disintegrate into uninspired work that mean nothing if tasteless ripoffs continue. Chad's smart, and admittedly humorous series is the type of catalyst that the local scene needs – to remind local brand owners about becoming more mindful in designing. We are losing our ability to be unique, forgetting that we can represent a rich culture on our own without having to look to what's trending globally. "We should be able to push for a movement so far into the global race to the point that we can be proud to have our own 'Supreme', 'Palace', or 'Gosha'." Chad shares a vision where we are able to compete with these global brands we idolize.

SALTY is exactly why you think it was named as such. It's the knee-jerk reaction of people when they feel that something violates their fandom. Chad shares that the title is a sort of anticipation of the probable reactions people would have for the series. It would be the obvious reaction after seeing your beloved streetwear culture names associated with local icons, I believe, but Chad's series digs deeper. While an initial interaction with the art would make one laugh, it becomes increasingly clear that there are underlying themes to each piece. Further scrutiny reveals relationships that the amalgamated icons have with each other. Chad cited the consumption of the streetwear community of Supreme's products, that it is akin to the consumption of Lucky Me! Supreme cup noodles when one is on a tight budget. A somewhat ironic parallel that reveals a darker side to streetwear. "The clues are all in the titles", he says. Chad's personal views of the streetwear culture raises important awareness on the atmosphere we are creating locally. I hope this is a wake-up call for people involved in the scene. While most people might be more interested in looking cool than upholding the culture, there are still those like Chad who are hopeful for a progressive community. May this visual commentary be a foundation for the future.

You can check out Chad Manzo's series on his Instagram account @chadmanzo and his website www.chadmanzo.com











SALTY too sweet? Five pieces from the series is hitting merchandise soon, under the namesake brand. Let us know which graphic you'd like to see first by upvoting below.

Which five of the "Salty" designs are you interested to be printed on t-shirts?

The Seven Hundred Club
Annedefeated
Batibot
Kylie x Andrew E
Off White
One More Chance the Rapper
Pepe Smith
Supreme Bulalo
Migos
Bembol Rocowear
Jestoni des Alarcon
Paking Awesome
Palibhasa Lalake
Vice
Home Vlone Da Riles
Do Quizzes



18 July 2017

Mentorship: TUSK Social's Kyle Francia learns from OTO's David Ong


When starting out in an industry, there will always be the inevitable pitfalls.  This, however, prolongs the process when finding one's place in the field. It is a paradox budding creatives know too well: wanting to shorten the process while understanding that true excellence takes time.

But what if you can fulfill one side of the equation without compromising the other? This conversation aims to answer just that.

Unlike the usual Q&A format, we brought together two professionals from the same field to exchange ideas on the topic matter. This time around, we have Kyle Francia of TUSK Social and David Ong of The CuratorEDSA Beverage Design Studio and OTO. Francia is a 25-year old who started in the food and beverage industry through working at 12/10 — an izakaya restaurant and bar in Makati. While Ong is a renowned coffee and cocktail connoisseur, who is one of the pioneers of the modern renaissance that the industry is experiencing as of the moment.

With varying degrees of experience in the beverage industry — Francia is relatively new to the scene, while Ong is more established — it's interesting to note how both perspectives line up every now and then, particularly when it comes to working the craft. From waiting for the right moment to understanding the customer, in the end, the two talk about this and more in the excerpt below.

Words by Pam Musni & Photos by Zaldine Alvaro

David Ong and Kyle Francia

Waiting for the right moment

KYLE FRANCIA: Correct me if I'm wrong, but as a part-owner and manager of The Curator Coffee & Cocktails, EDSA Beverage Design Group, and OTO, how was the industry before you came in? This is for both coffee and cocktails.

DAVID ONG:  Before I got back to Manila in December 2011, I made myself a five-year goal that consisted of The Curator Coffee & Cocktails and EDSA Beverage Design Group, but didn't act on it immediately. When I returned, I was pleasantly surprised to see that there were quality coffee and cocktails in the form of Kuppa and Blind Pig. Apart from these two, there weren't any other players.

KYLE: Was it you personally who didn't act, or the market that did not act?


DAVID: Me personally! I felt like I had to be observant of the market for a good amount of time before jumping into it. I knew what I wanted to do — that is to have a place that served both third wave AND specialty coffee (there's a difference) as well as craft cocktails. On top of this, I was nobody... And I needed a solid team. This was when I met my partners for The Curator and EDSA BDG: Jericson Co, Bernice Tiu and Kerwin Lo (who also owns Kuppa).


KYLE: And this was around what year?

DAVID: This was in 2013. CRAFT Coffee Workshop had just opened then... I ws sitting down the bar sipping my coffee when I heard a random guy talking about things that I was interested in with his friend — and it turned out to be Jericson and Bernice!

KYLE: This is the one in QC, right?

DAVID:  Yes! After a few chats back and forth that lasted months, we decided that it was time to do something together.

My mom's brother, Jappy Gonzales owns a fashion company called H&F Retail Concepts, and one of the brands that he brought in is Fred Perry. He gave us our first gig on Father's Day Weekend last June 2013 as we served free coffee care of Fred Perry in four of their stores. We've been doing it every year since then!

The following week after, renowned food & beverage connector, JJ Yulo chanced upon us and invited us to the first ever Pinoy Eats World event at The Podium — Manly Eats. This was when we tested the full concept of coffee and cocktails together.

Come August 2013, we moved into the backroom of Cyrano Wine Shop & Deli who Jericson's brother, Jonathan was a partner of. Those were the days... The "Meth Lab" days when we would make do of the space and whatever personal equipment we owned. A few weeks later, we moved into another one of Tito Jappy's shops called Archives d'Homme et Femme for a coffee pop-up that alsted three months... Which ended when we formally opened The Curator on December 5, 2013 — Repeal Day, of all days!

KYLE: Which closed recently.

DAVID: Yes. We were very fortunate and grateful that they left the space with us. We renovated it last year and reopened it in December 2016 — now, we serve coffee there from 7AM to 10PM.


More than passion

KYLE: You've obviously had a great experience with the quality of coffee and cocktails you've had in the past. When you guys decided to bring it to the Philippines, as you said, not a lot of people were used to it.

There's always this narrative about bringing in new concepts. People always say it's like passion projects — we're not doing this for the money, we want to provide better flavors. But for me, it's a bit over-used at one point, because you stack everything to whether it's really the passion for the project, or finding a niche. For you, is it about something the market hasn't been provided with yet and wanting to be the one that provides the service?


DAVID: I would say it's a little bit of both. If you've been to The Curator, the way that it's laid out is that it's basically a place FOR US, an extension of our home, where we could entertain guests. Thus, the communal tables, the long couch, and the seats by the bar. We felt that this setup was conducive to organic engagement... A place where we could talk about what we love to do and exchange ideas.

Unfortunately, a product can't speak for itself especially if it's new and unfamiliar to the market. Because of this, education is equally important. However, I'm in the belief of not forcing down unwarranted information into people's throats — instead, we focus on two things: execution and service. We continue to do this today. Fortunately, our customers have been extremely receptive of our efforts.

At the end of the day, it all boils down to intention. Personally, I'd always prefer to revisit a coffee shop and/or cocktail bar with great service and pride for what they do.



KYLE: As compared to a place that's really nice?

DAVID: Yes, that's the sad reality... What's "Instagram-able" versus the actual product and soul.

To me, success is relative. On one side, there's the "recognition" wherein people know who you are and what you do. Moreover, respect what you're doing for the industry, the community and the country. On the flip side, "Return on Investment" is just as important.

The balance between the two is the goal for me when I think about venturing out. In a nutshell, The Curator logo.

KYLE: The Curator ampersand?

DAVID: Exactly. If you look closely, it's a coffee cup, a couple glass, AND an ampersand. Sure, it's coffee and cocktails, but what's more important is that we improve on knowledge and technique everyday... What's MOST important is that we add value to something, to someone. Thus, the ampersand in which we strive to build genuine relationships one coffee and cocktail at a time.

I don't think that it's just The Curator either. You've worked at 12/10 and The Girl + The Bull — when you reach out to consumers, was it always easy.

KYLE: No, it's not.


DAVID: When they come in, customers expect certain things... But at the end of the day, I feel like it's summarized to two things: 1) How was the drink/food? 2) How was I treated?

If the answers to these questions are "great" and "even better," then we'll have returning customers who'll eventually become regulars... Who'll eventually become friends. To me, this is what it's all about.



Understanding the customer

KYLE: The first time I really had a proper cocktail was with you, and you were the one who made it... pero grabe, you came into it with all the right questions: "What do you like to drink? What kind of flavors do you look for?"

DAVID: Really? Well, thank you! I feel that taste is very subjective. Everybody has different preferences, and that's okay. I guess that it's just a matter of figuring out what those are and how you're feeling palate-wise as well as emotionally.


KYLE: And it's weird — I came into it thinking that I knew these flavors, but it was on another level... like even if you customize it as much as possible towards what you think the guy will like, it's still up to the original customer to be, I guess, accepting of whatever experience comes.

DAVID: I think so! For sure, people will have some reservations on certain flavors. Again, we all have preferences that we adhere to, but I feel that Filipinos' palates are evolving and so is our curiosity. Despite this, we still want to tailor-fit the drink and the experience around the customer. In my opinion, the only way one can do that is through great hospitality.


On the same boat

KYLE: When you guys first started off, the market knew nothing about you. As you said, when we got into 12/10 — the whole izakaya thing — people were a bit hostile, a bit apprehensive, because they didn't know how the concept was. And it was a bit harder for you guys because you were providing premium cocktails, premium pressing... so how did you guys convince a new market to change the way they think about this product?

DAVID: It's true, you know. I would like to return the question to you, actually.

KYLE: Well, that's kind of why I'm asking you — I don't really know how to approach this.

DAVID: That's what I'm saying... We're in the same boat even if I've been in the industry for three years, and you just for a few months! Going back to what I said earlier, there is no definite recipe to success — I don't consider myself as successful. Not yet, at least.

No matter how idealistic or passionate you are about what you do, people will always question why you do things a certain wait. For me, I want them to ask more questions! That way, we're more engaged with our customers and the rest of the industry... AND WE ALL GROW. A rising tide lifts all boats.

But don't forget Economics 101, "No money, no honey." It IS a business after all.



16 July 2017

What happened in Pursuit Fair 2017 – Vol. 1


People flock to bazaars for good reason, and it’s to painstakingly meander through a vast array of stalls in hopes of scoring great buys. The experience has always been more or less the same for everyone: we visit a bazaar, spend enough time rummaging through the brands, then leave as soon as we finally purchase something we like. That’s basically it, really—we rarely find any motivation to stick around.


Photos by Zaldine Alvaro

PURVEYR’s second Pursuit Fair, which took place last July 1 at the Century City Mall Events Space where the striking Makati skyline comes into view, ultimately changed my perspective about bazaars. An offbeat lifestyle fair originally intended to serve as an intimate space for a flourishing community with a shared love for local culture, Pursuit Fair 2017 – Vol. 1 encapsulated everything PURVEYR stands for and more: “Thoughtful brands breed a thoughtful community.”


With around 20 participating local brands last year to a total of 41 brands this year, it’s difficult to miss the buzz that the Pursuit Fair is making. It was impossible to leave the venue empty-handed given the diverse range of locally crafted products that were available that Saturday. Among the many up-and-coming clothing brands that attended were Boy in Transit, REVERE, Tenement, Tomorrow, Buzzhype, Thy Origins and Elevate Apparel. Other fashion and lifestyle brands such as ika by Angelica Rodriguez, Basic Commodity, The Maverick Pomade, and Polly Patch also chimed in the fun. But of course, the event wouldn’t have been complete without the delectable, filling participation of Idiot Sandwich, Tetsuo, Ono Poké Shop and District B. With all these creative home-grown brands to look out for, it’s safe to say that that the local culture is indeed thriving now more than ever, and Pursuit Fair succeeds in becoming the platform for everyone to enjoyably collaborate with and celebrate one another.




The event was anything but grand, but only because it didn’t have to be. What sets the Pursuit Fair apart from any other run-of-the-mill bazaar was its unconventionality. There were all sorts of cool things happening at the venue, such as folks getting their hair groomed at the pop-up barbershop by Slick Barbers Co as beautiful live music filled the glass-enclosed room. It fostered a better sense of community and appreciation for local culture as there was plenty of room for exchanging conservations with strangers on local craft and talent, and this is exactly why I can say that more than mere shopping, the Pursuit Fair was an experience like no other.

For more photos from the event, visit our Facebook page.







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